Archive for February, 2009

Episode 2.14 Captures

So there is some debate as to whether this is really Episode 2.14.  Because of the airing order, this could be considered (and probably technically is) Episode 2.13.

Nonetheless, I’ve called it 2.14 and added 45 new screen captures to the gallery for Chuck Versus the Best Friend.

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For those who keep up with such things, you might find the infamous bracelet in a shot or two.  It’s good to see that in terms of continuity, though she could just be wearing it for ‘cover’.

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Yvonne Strahovski really outdid herself with the crying scene there at the end.  She’s always excellent at emoting, but this time she really stole the show.  You could hear her heart breaking!

Enjoy!

Strahovski and Best Friends

Sometimes it’s really nice to just relax.  The weight of the world is on your shoulders and you have so much to worry about, and you just need to put it all on hold.

To me, that’s what ‘Chuck Versus the Best Friend’ was.  It was a breath of fresh air in an otherwise overly serious and awkward season.

strahovski-ep213-028.jpg“Drive-thru when you’re used to fine dining.

That quote is perhaps the best explanation for this episode.  Sure we’re used to deep Charah stuff, but sometimes you just want a burger, ya know?

I thought the ‘Charles Carmichael comes quickly’ was scandalous last week, but this whole exchange between Awesome and Ellie took it to a whole new level.

Nonetheless, I’m sooooo happy to see Awesome back, as well as his relationship with Ellie.  He brings so much to the show and I feel like they’ve forgotten that since the first season.

I’ve said it before, but I initially got into this show for two reasons: Adam Baldwin (from Firefly) and Captain Awesome from the first episode.

“Idiots on the move.”

Not only were we treated to more Awesome & Ellie, but we also got a heavy dose of the whole herd.

Jeffster was pretty funny and it was nice to see Jeff and Lester carry almost an entire plot point by themselves.  They weren’t just support for other characters.

And then there was Anna.  I’ve been missing her and she got more lines in this episode than she’s gotten in the whole series.

As much as I loved seeing her, though, I felt some of her lines seemed a little bit too story-serving.  I’m not sure it was all consistent with the Anna we’ve come to love.

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Episode 2.13 Captures

We’ve added 50 new screen captures this week to the gallery for Episode 2.13 – Chuck Versus the Suburbs.

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This episode had a lot of fun and unconventional shots which were fun to add to the gallery.  I especially like the one of Sarah laying a big ol’ slap on Chuck after his incident with McCarthy’s character.

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I hope you like the photos, and if you haven’t already — check out our exclusive interview with Patricia Rae (aka Morgan’s Mom)!

Enjoy!

Patricia Rae – Red Hot Mama

Editor’s Note: I know this is a deviation from our normal ‘All Yvonne Strahovski, All the time’ mantra, but this was an amazing opportunity to publish an interview with an awesome actress. Besides, I didn’t figure you guys would mind another attractive and talented woman to admire. – Lykaon

Patricia RaeI was given the opportunity to sit down with Patricia Rae, aka Morgan’s Mom, last Thursday.

She offered to do an interview with me, face-to-face, to discuss her character and working with Yvonne. We hope you enjoy the surprise!

Devon Newberry: First of all, obviously, I’m from Strahotski.com. The first question is going to be, did you get to meet her?

Patricia Rae: You know what, I would have to lie and say “yes,”… I haven’t seen her yet. She didn’t feel well, so my shoot date got moved and I came in and shot my scene instead of her.

DN: Compared to other shows that you have worked on, what was it like to work on “Chuck” thus far?

PR: It’s a great set and all of the actors are very wonderful. The crew is so lovely, and very welcoming. From the minute you get there, the makeup and the hair girls are very sweet. “Oh, we love you! We want you to come back!” the wardrobe says “Oh! Put that away for her cause’ she’ll come back and we’ll have outfits for her!” and the ADs [assistant directors] are very nice. The 2nd time I came back they all said, “Morgan’s Mom is back!” It’s great because they say I’m a MILF!

DN: Was Joshua Gomez a good son?

PR: I think he was a little devil, haha!

DN: Were you a big fan of “Chuck” before you got the role?

PR: I don’t watch television on a regular basis to begin with, but it was one of those shows that if it was on, I’d watch it and see what’s going on. I’ve always got my eye on the arc and style of every show, because I know I could possibly get called in for a role. So, I knew the characters, thank God. I knew the premise of the show. Before I went in for the audition, I went on NBC.com, and started watching every episode, so I could get the rhythm of the show, the comedy. It’s got film comedy style, ya know? The comedy in the script is really smart, and it’s all in the writing.

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Strahovski and Suburbs

strahovski-ep212-049.jpgWhat a crazy couple of weeks it’s been.

Last week was Chuck Versus Obama, which I failed to write a review for (not enough Yvonne Strahovski imo).  Oh and there was that whole bear thing in NYCC.

This week we get a doozy with Chuck Versus the Suburbs.  With a premise based on the marital bliss of Chuck & Sarah, what could go wrong?

“Good luck as a normal couple.”

The answer to the above question, of course, is a lot.  Everything in fact.  But at least all the goings wrong was mission related!

It seems like maybe the writers have found a new plateau for the relationship.  After Bryce, Jill, and a cold-blooded killing, we’re left with two people who have/had feelings for each other and don’t quite know how to express it anymore.

I love this place for the relationship.  The awkwardness is palpable and real, and it’s something that makes sense.  There’s just too much to get out of the way, and both are too scared to take that step.  I love it.

“That’s my wife; that’s Sarah.”

So how about Chuck acting the hero there at the end?  Quite impressive for the little gipper.  He saved the day (with Casey’s help), and he got to hug Sarah in the process.  How convenient.

And then we saw it, right?  The briefest flash of love in Sarah’s eyes.  But then Beckman destroys it all.

The one thing we’ve learned about Sarah is that she’s loyal to her duty, and Chuck being in more danger than ever makes her all the more resolute to keep things professional.  It was painful seeing her take that ring back from him.

“And you know what, I’m ok with that.”

I know it’s breaking the hearts of viewers everywhere.  Chuck has decided it will never work.  It sounds abysmal; it sounds like there is nothing.

But take heart… I’m sure there will be love once again.  The beauty of Chuck giving up on the relationship is that he gets to fall in love with her all over again.

“Somebody call the cable guy?”

Casey broke his frickin thumb!  How hardcore is that?  Casey is all aces all the time.  I don’t know that I’ve seen a more consistent actor.

That guy must become Casey while he’s working on Chuck.  I hope his friends still like him.

“Your weiners are burning!”

I’ve never really been a fan of Andy Richter, but he did himself proud in his role.  And Jenny McCarthy was stunning as always.

The whole ’stepford’ sorta vibe that the fulcrum neighborhood had was awesome, in fact.  It’s a shame the place was built up and torn down all in the same episode.

“You’re bangin’ my Mom?”

Classic.  Oh I cannot even imagine the fun that’s going to come from Big Mike dating Morgan’s mom.  It’s like the very definition of comedy gold.

I’m also really interested to get some more character development on Morgan and his family.  Obviously, his mother is latina so that alone gives us more to go on than we had before.

It remains to be seen what sort of mother she turns out to be, but I can’t imagine it playing out any way but funny.  I wonder if Anna has met the mother yet…

“Who the hell’s this Lando Calrissian?”

Now that we’ve discussed the episode, I’m going to talk about a few of the technical merits.  This director has directed an episode before and I was less than impressed with his work.

This time around, the direction was a lot more solid and not quite so awkward.  My only complaint was actually the soundtrack.

I know Chuck is accustomed to having a hip soundtrack, but the music in the background was overly distracting at points which gave scenes a different tone than we’re used to seeing.

I’m not sure if that has anything to do with direction, but it’s something that I noticed.

“Shut up and eat your breakfast.”

Perhaps one of the most impressive things about this episode is the impact it has on the story.  Chuck has the Fulcrum intersect in his head now?  What does that mean for the future?

They just wiped out a neighborhood of fulcrum agents, so I don’t imagine Chuck and the gang are on the good list.

As for our couple, they’re stuck in limbo.  I don’t think it’s impossible that they rekindle what they had before, but they keep getting pushed away from each other.

It’s as if they both know they want something more from each other, but both have their reasons for not being able to go through with it.  Sure, it’s excrutiating — but that’s why we watch, right?

I’m glad Chuck’s back.  Let’s hope we get a straight run to the end of the season without any Presidents butting in.

What did you think of the episode?  Too much to bear watching Chuck & Sarah together, but ultimately apart?  How about that ‘Cowbell Hero’ shirt?

Comment here or check out the forums where there’s always rabid discussion on every episode!  Screen captures should be up tomorrow; but before then check back in the morning for a special surprise we’ve been working on.